Showing posts with label Uncanny Avengers. Show all posts
Showing posts with label Uncanny Avengers. Show all posts

Sunday, November 3, 2019

X-Force vs the Avengers Unity Squad

Cable and X-Force #10 (2013)
Cover by Salvador Larroca and Frank D'Armata

Cable assembles a new X-Force team to prevent his terrible visions of the future from coming true, but his actions are perceived as criminal. Enter the Uncanny Avengers, the Unity squad formed by Captain America in the aftermath of Avengers vs. X-Men.

Monday, August 22, 2016

Uncanny Avengers #12

Writer: Gerry Duggan
Artist: Pepe Larraz

    
Uncanny Avengers #12
"Rage Against the Machine"
Cover by Ryan Stegman & Richard Isanove. Variant by Jeff Dekal.

Cable    Rogue    The Human Torch
Cable, Rogue, and The Human Torch. Artwork by Pepe Larraz.

Doctor Voodoo    The Wasp    The Vision
Doctor Voodoo, The Wasp, and The Vision. Colors by David Curiel.

The Uncanny Avengers

Monday, August 1, 2016

Uncanny Avengers #10

Writer: Gerry Duggan
Artist: Pepe Larraz

"Who are you wearing?"
Cover by Ryan Stegman and Richard Isanove

Janet Van Dyne, The Wasp, by Pepe Larraz and David Curiel

Friday, July 26, 2013

Uncanny Avengers #10

Uncanny Avengers #10
Cover by John Cassaday and Laura Martin

The past comes back to haunt the Uncanny Avengers: The Four Horsemen of Death!

Written by Rick Remender

Art by Daniel Acuña

Saturday, March 2, 2013

Uncanny Avengers #4

Writer: Rick Remender
Artist: John Cassaday

It's Havok and Scarlet Witch against the Mighty Thor! With all the delays this title has suffered, it is a relief that Remender is not wasting time setting up the conflict; instead, he throws readers right into the middle of the fight, and it is a great choice. Alex and Wanda work amazingly well together, and being almost family, let's hope they develop a close relationship. John Cassaday does not miss a beat in his interpretation of the battle, and the colors are breathtaking. The Red Skull, in the meantime, tries to demoralize Cap into switching sides using an argument that taken to face value, would make sense, but fails to account for the positive aspects of society, a point the Star Spangled Avenger makes clear in a heroic fashion. The issue offers great moments between Havok and Cap, Wanda and Rogue, and a surprising and moving Thor-Wolverine interaction. As if this isn't enough, the story jumps momentarily into the near future to see the return of O... MG! It's a good tease!

Havok and the Scarlet Witch by John Cassaday

Friday, October 12, 2012

Uncanny Avengers #1

Writer: Rick Remender
Artist: John Cassaday

The Marvel Now! initiative kicks off a new era for the publisher with New Union, the first chapter of Uncanny Avengers and the latest collaboration between Earth's Mightiest Heroes and the X-Men. The premise feels a lot like a corporate takeover, when a big bank (Avengers) buys a little bank that is in financial trouble (X-Men) and from the get-go the buyer tells the one who got bought how things are going to be going forward.

   
Covers by John Cassaday and Skottie Young

Havok, who has never wanted the super-hero life, somehow ends up standing out every time he tries to blend in, and is now representing the entire mutant population, is the embodiment of Xavier's dream, and is the leader of the new team; all this while carrying on his shoulders the burden of being the brother of the man who almost destroyed it all.

   
Covers by Adi Granov and Olivier Coipel

The other emotional anchor of the story is the Scarlet Witch. Of the two Maximoff siblings, Quicksilver is the one who is more connected to the X-Men, while Wanda mingled only during major crossover events, which makes even more surprising her visit to Xavier's grave and the promise she makes him.

   
Covers by J. Scott Campbell and Daniel Acuña

While the action in the issue is more of an attempt to appease any potential complaints that there was none, the real money shot of the book goes to the Red Skull's actions; truly gruesome. John Cassaday's art is reminiscent of his run on Astonishing X-Men, with a depressing, solitary undertone, and while super-hero costumes don't necessarily fit his style, the character redesigns work very well with it, as they look more like something made for a movie adaptation. Now... what's up with the 18 variant covers? Is that really necessary?

   
Covers by Neil Adams and Sara Pichelli